THOR: RAGNAROK (2017) – T.’s Take

thor

There isn’t much I can say about Thor: Ragnarok that I can’t say about most Marvel movies; it’s made for those who are still eating Marvel’s production line brand of action and humor, and Ragnarok delivers both in the expectedly digestible ways, even if a title as apocalyptic as “Ragnarok” doesn’t call for its own constant laughs, the biggest of which surrounds Stan Lee’s obligatory cameo, though one song choice during a climactic battle particularly undermines the drama.

What I can say is that my biggest problem with Spider-Man: Homecoming, the constant reminders that the story is part of a larger universe, is my biggest praise here. Tom Holland’s Spider-Man and his slice of the Marvel Cinematic Universe is really refreshing, but the tie-ins to Civil War and shades of Iron Man 4 prevent Homecoming from being the new definitive Spider-Man movie; Thor, however, is so boring on his own that he needs more colorful characters to play off of, even characters from other franchises, and there are a couple of fantastic newcomers mixed in with the returners, all of whom thankfully replace Thor’s previous sidekicks.

That doesn’t make Ragnarok much more substantial than the average MCU movie, but that does make it a lot more entertaining than the previous Thor movies (the first of which was oddly my favorite MCU movie for a while), as does its creative mixture of typical Thor-style fantasy and zany Guardians of the Galaxy-style space opera. It’s tempting to say that “Thor Trek” would have been just as fitting a title, especially considering how Chris Hemsworth was Captain Kirk’s (cameo of a) dad before he was Thor.

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